That Cute Little Button Nose

An excerpt from my novel-in-progress, Photorealistic Raccoons.

Sitting on an old white bedspread under a tree, Gerry looked through his stack of comic books, wondering what he should read next. Perhaps Mekka Lords? Nah, he’d grown bored with the current plotline; Dr. Harmer has taken control of Mekka City’s protektors again? Shouldn’t the chief protektors have gotten fired after the second time at least? Or how about the new Silverquake? Maybe, but leafing through the issue, Gerry could see the story took place in the ghetto. He saw enough blacks in real life, thank you. Or The Mighty Victors? Pretty good art by Dick Dobbins, especially during that quantum matter battle in the Zordonian space station, but Gerry had already read that issue twice. He should have taken the time to choose better comics instead of waiting till the last second then grabbing whatever he could find at home. But even the worst comics were better than this sorry place, Presque Isle, that peninsula jutting out into Lake Erie, near the city of Erie.

His parents sat behind him in folding chairs, his mother reading Newsweek (THE NIXON TAPES), his father reading U.S. News & World Report (BUGGING INSIDE THE WHITE HOUSE). Gerry had always had an interest in current events, not as much as his parents, but enough to make him feel more sophisticated than his classmates, whose favorite pastime involved placing ketchup packets on the street, watching vehicles drive over the packets, and—

“Excuse me?”

Two people had walked up: a man carrying a folded folding chair, and a girl carrying an oversized tote bag.

“Excuse me?” the man repeated, addressing Gerry’s parents. “Do you mind if my daughter and I plop down next to you, here in the shade? If I spend more than five minutes out in the sun, I turn into beef jerky.”

“I know what you mean,” Gerry’s mother replied. “I burn pretty easily myself.”

“So you don’t mind if we plop down here?”

“I don’t mind. Do you mind, Roy?”

“Nope,” Roy answered.

“Thanks,” the man said. He unfolded his chair: green mesh fabric on a gray aluminum frame. “What a coincidence we have the same chairs, huh?”

“Uh-huh,” Gerry’s mother said.

“Great minds think alike.”

“They certainly do.”

The man sat down in his chair. The girl sat down next to Gerry on the bedspread and placed the bag between them.

“So, I guess we should introduce ourselves,” her father said. “We’re the Seahorse family. And yes, really, that’s our last name, Seahorse. It’s been in our family for generations. Along with”—he pointed at his face—“my cute little button nose.”

Gerry’s parents laughed. In reality, that guy had a nose like a bloated cantaloupe, like the Screaming Ghost’s nose in Hatchetman, not one of Gerry’s favorite comics, one he’d stopped reading months ago after that boring Battle Renewed plot where the characters spent far more time whining about their lives instead of, you know, battling.

“Anyway, you can call me Jake,” he continued. “And this here’s my perfect peach, my daughter Margot. Margot with a silent T at the end—a T for ‘terrific.’ ” He turned to face her. “Say ‘hi,’ Margot.”

“Hi,” she muttered.

“Tell them how old you are, Margot.”

She didn’t respond.

“Margot?”

No response.

“She’s thirteen. You know how moody teenagers can get.”

“No I didn’t. Thank you for sharing that with me,” she said, staring at something in the distance.

The adults laughed.

Jake and Margot looked alike. They each had light red hair, pasty skin, and a lanky physique. And—ahem—that cute little button nose.

“I’m Roy Blanchard, my wife Helen, our son Gerry-with-a-G,” Gerry’s father said.

“G for ‘Gee, our son’s great,’ right?’ Jake asked.

“Right.”

“How old are you, Gerry?”

“Twelve,” he said.

“He’s growing up fast,” Helen said. “He starts junior high in a couple weeks.”

“Hell on Earth, trust me,” Margot said.

“Trust you? Maybe next time,” Jake said.


Copyright © 2024 by David V. Matthews

That Serious about Directing

I present the following excerpt from my upcoming Kindle book, The Making of Indecent Betrayal: Two Versions.

“I have some news that’ll knock your jock off,” Frank told me one morning as I wiped down the espresso machine. We were baristas at Coffee Clutch, the airport development district’s latest upscale coffeehouse. “I’m going to direct my first movie.”

“Really?” I said.

“Uh-huh.”

“I didn’t know you wanted to direct.”

“Neither did I, till a few weeks ago. I thought, why the hell not? I’ve always liked movies.”

“That doesn’t mean you know how to make one.”

Anyone can make a movie if they really want to.”

“Whatever you say, Spielberg,” I said, placing an eighteen-ounce bag of Coffee Clutch Dark Decaf Ground Coffee, Special Yellow Ribbon Edition (an unspecified portion of sales going towards unspecified 9/11 charities), onto the shelving unit next to the machine.

“I’m serious,” Frank said. “I went to the city last week and bought some pretty advanced filmmaking equipment—uh, let’s see, two digital videocams, some tripods for the videocams, some digital recording gear, some special-effects software, a couple of spotlights, even one of those clapperboards that you clap down on when you wanna start shooting a scene? Yeah, I bought all that stuff. It cost a little over five grand.”

“Wow.”

“Told you I was serious about directing.”

“Where’d you get the money?”

“I maxed out my Discover card, the only card I had left. The only card I hadn’t already maxed out? The one I try to avoid using, ’cause it charges a million and a half percent interest each month? I’m that serious about directing. I’ve even written a screenplay, my first one ever.”

“What’s it called?”

Indecent Betrayal. It’s an erotic thriller. I grew up watching erotic thrillers on cable. What can I say, I like boobies.”

“Right. So when do you plan to start filming?”

“This Saturday. At the mansion.”

“Do your parents know?”

“Uh-huh. I told them. They thought it was cute I wanted to direct, like they thought I was five years old and I had said”—high-pitched voice—“ ‘When I gwow up, I wanna be a fi-wuhman, or, or an astwonaut, or, or, or Chief Justice of the Supweme Court, yaaaay!’ ” Frank had clapped during that “yaaaay!” part but apparently not loud enough for our supervisor to hear in the backroom, or else she would have stepped out front and berated us. The two or three customers sitting in our coffeehouse (it was the mid-morning lull) apparently hadn’t heard, either.

“Anyways,” Frank continued, “my parents did permit me to film there, at the mansion, as long as I didn’t do any damage. Plus they’ll stay out of my way, ’cause I knew even before asking that they’ll be in Miami for the weekend on business. But they don’t know about the mature content I plan to film, so”—Frank lifted his finger to his lips—“Shhhhh.”

“Yeah.”

I put some Coffee Clutch Maximum Mocha Cake Pops into the display case.

“So I was wondering,” Frank said. “Would you like to help me out on Saturday?”

“Help you out?”

“With the cameras, the lights, all that technical stuff.”

“I don’t know a thing about movie-making.”

“That shouldn’t be a problem for you, Mac.”

“I guess not.”

“I’ll give you a copy of the screenplay beforehand, soon as I can get copies made.”

“Okay.”

“So you in?”

“I don’t know. How much you paying me?”

“Nothing. But I can give you five percent of the profits from DVD sales. I plan to make this a direct-to-video release.”

“I don’t know.”

“Okay, seven percent. That’s as high as I can go. Whaddaya say, Mac?’

I paused.

“Go fill the napkin holders,” I said.

Copyright © 2023 by David V. Matthews
December 2, 2023

DVM’s 2000s Essays, One of Which Mentions Insane Clown Posse (Sound of 82,304,177 Readers Orgasming)

P.J. O’Rourke’s Idea of Sanity, March 25-26, 2001 (revised August 2, 2001)

I Hate Gates: My Futile Month-and-a-Half of Hypergraphia, December 2-3, 2002

We’re All F___ed, April 8-10, 2003

Goddess Help Her

Time for another incongruous illustration.

Following the Supreme Court’s Dobbs decision, Hannah tweeted that she had never told anyone other than a few close friends this, but three years earlier, during her freshman year of college, she’d had an abortion during her tenth week of pregnancy, her first pregnancy, and that she considered choosing to undergo that health-care procedure the best decision of her life, because that decision prevented her from having an unwanted child and more likely than not making that child’s life miserable because the child would have symbolized Hannah’s thwarted ambitions, resulting in, despite Hannah’s best intentions, sheer loathing of said child, not to mention sheer self-loathing; now Hannah could finish college and pursue a career and care for any wanted children she might someday bring into the world.

After that tweet, however, her brother Logan somehow found out which clinic she had used. He then sued the clinic under Texas law—she lived in Austin, he in Abilene—for performing an abortion after six weeks. He won his case, receiving a ten-thousand dollar reward, as the law allowed, and helping drive the clinic, one of the few that still performed abortions in that state, out of business, though by the time the clinic closed permanently, she had stopped speaking to him, had even blocked him on social media, though after their father’s funeral in Abilene, standing alone by the grave, the first time they’d seen each other in eight years, she did mutter “Hey” to him. Without exchanging a greeting, Logan told her nothing personal about that abortion stuff, he had never really cared one way or the other that she’d terminated her pregnancy, and he still didn’t care, but he’d needed to pay off the rest of his pickup truck loan, totaling ten grand coincidentally enough, a pretty good pickup, no mechanical issues unlike his previous trucks, plus the finance company had kept harassing him, even threatening to sue him. Sorry.

She found him more reprehensible than ever but, Goddess help her, for the first time since the lawsuit, also sort of sympathetic. He never could budget his money. And as she knew from personal experience, sticking to a budget in this capitalist economy posed myriad difficulties.

Copyright © 2022 by David V. Matthews

November 7, 2022

Masturbating Rhythm

This site’s occasional incongruous image. You adore kiwis, right?

            I rather insufferably considered myself a thrift-store record aficionado back in 2011, at age sixteen, having reached the high point of adolescent insufferability, I guess, when you need to create what you consider a sophisticated persona to differentiate yourself from what you consider the cultural lamestream engulfing you.  In my case, as with many other people of whatever age, I collected, sold, and pontificated upon obscure, decades-old consumer items that the lamestream had once considered beneath notice but now slavered over as the epitome of, to use the cool spelling, kewl.

            So one afternoon back then, while rooting through the vinyl at Pearl’s Thrift Shoppe, searching for my specialized genre, Eighties hard rock (the cheesier the better) I could sell on the Internet, I found a sleeveless seven-incher: fair to good condition, plain white label, “Masturbating Rhythm,” presumably the song title, printed all in caps in a smeary black font, no other information, no label or song on the B-side, probably from sometime before the Eighties or even before the Seventies.  Or maybe even before the Sixties.  Though a prodigious amount of the rock I enjoyed dealt with sexual topics in a somewhat overt manner (to say the least), I’d never seen any record with “Masturbating” in its title.  Ordinarily, I would have purchased such as unusual release, only forty-nine cents, but—I don’t know, maybe I’d considered that single too unusual, too antediluvian, too un-kewl by Internet standards.  By the next day, when I’d changed my mind and returned to Pearl’s, the record had disappeared, though I did find the self-titled debut album by Mascara, VG+ condition more or less, ninety-nine cents, an album I eventually sold on eBay to some guy in Santa Fe for twenty-six bucks.

            As for “Masturbating Rhythm,” I’d forgotten about it until the 1/6 Trumpnoid rampage at the Capitol a decade later (Capitol Records, yeah), when I guess I needed to distract myself from the live streaming coverage.  So I Googled that release but turned up nothing.  I even went on Bing, with the same results.  No one anywhere had written about the single, offered it for sale, or uploaded it.  However, I did discover that it most likely spoofs “Fascinating Rhythm,” an exceedingly old-timey song (from early last century!) by these guys named George and Ira Gershwin.  And thus the search ended, due to my sudden craving for alcoholic beverages.

            Perhaps on this, the one-year anniversary, I’ll resume my “Masturbating Rhythm” search or listen to “Fascinating Rhythm” or both; or I could turn my Pearl’s encounter into a bittersweet memory, the record that got away, giving myself substance, I guess making myself more impressive to my fellow aging collector geeks and to young hipster chicks with daddy issues.

Copyright © 2022 by David V. Matthews

January 2, 2022/January 5, 2022

Killing Yourself Would Help

A familiar sight during my childhood: my old man in his shirtsleeves, slumped over the kitchen table at night, beer bottle in hand, complaining to Mom about his day, specifically about the employees at the department store he manages, about the customers who try to rob him blind, about how no one appreciates what he does, much less deserves it—complaining in that tone, equal parts grandiose and self-pitying, that makes me grind my teeth into nubs as I lie on the living-room carpet, in the adjoining room, watching TV.  I’ve just turned twelve.  Mom, of course, sits next to him, not saying a word.  His performance goes on so long, I imagine visual clichés from those old movies she loves: hands twirling around on clocks, pages flying off the calendar.

Finally, the usual crescendo of his complaining arrives.  He asserts he’s done everything he could, and what more can he do?

“Killing yourself would help,” I mutter, softly enough for my parents not to hear; otherwise, either of them, or both of them, would have leaped up, run into the living room, and commenced their usual disciplinary method of beating me in a whirlwind of slaps, punches, and kicks.  I’ve never said anything like that about my old man before.  For a few moments, I feel guilty.  “Ha ha, how fuckin’ embarrassing, right?” I say seven years later when relating this anecdote to my fellow soldiers in the jungle in Vietnam, causing them to go into detail about the butt-kickings they’d endured as children.  Laughs all around, drawing us closer together.

Copyright © 2021 by David V. Matthews